“Outstrider" is the sophomore effort from black metal veteran Olve “Abbath” Eikemo’s aptly named solo project “Abbath”. Since separating from the legendary band “Immortal” over trademark disputes in 2015, Eikemo’s creative ability has been thrust into the spotlight, and after a full listen, …
Summer Walker is an R&B artist from Atlanta, Georgia who arrived on the music scene in 2018. She has worked with big names in the music industry such as Rick Ross and Drake. Summer Walker's debut mixtape “Last Day of Summer” received positive reviews for how she constructs her music. Now…
This previous weekend saw three new films open in wide release, with one setting records in limited release. However, “Joker” still reigns supreme as the film has already earned nearly 10 times its budget worldwide in just its second week of release. The Joaquin Phoenix starring film has mad…
“Kirk” is the second studio album from North Carolina artist Dababy, whose popularity rose thanks to songs like “Suge” and “Baby Sitter.” He has also worked with some well-known artists like Post Malone, JCole and Meg Thee Stallion. His first album, “Baby on Baby”, received some high praise…
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Here comes the queen, the dark faery, the mistress of evil. Angelina Jolie’s portrayal of Maleficent managed to overcome a mixed critical reception and flew straight to big box office receipts and audience praise for her version of the evil queen. A sequel seemed almost inevitable.
October of 2009 introduced the world to four misfits in the zombie apocalypse so determined to keep from making connections that they just used their destinations as names. Now, a decade later, “Zombieland” is without a doubt a modern cult hit. The wry sense of humor and gory glory kills gav…
Yes, they’re creepy and they're kooky, mysterious and spooky, and all together ooky. They’re the Addams Family. But the creaky novelty of the characters has all but worn off nowadays. Not that they still aren’t beloved, but they simply deliver a kid’s movie with a creepy shine on it that isn…
There’s something otherworldly to “Joker.” Its dingy color palette and 1.78:1 aspect ratio conflict everything that past comic book movies have done. It’s small, cramped, claustrophobic, and mean. This is a dangerous and upsetting film, not for the faint of heart.